Untitled 7 3/4 x 4 7/8 inches but switched to Somerset paper

but switched to Somerset paper for a harder finish that did not flake as much as the Arches in the offset press

I have been making prints about my own family and using images of members of my family

and oranges are the light itself

and interior are composed to intensify the relationship between the work and the viewer

I closely analyze and deconstruct human anatomy to speak to the reality that human-made materials mimic nature

Untitled 7 3/4 x 4 7/8 inches but switched to Somerset paperRon Rumford sees his prints as maps or tracings of abstract journeys. They can be metaphors for real, physical travels, or completely imagined. He likes the tension that develops between the line and the shapes the line makes. The irregular shapes of the printing plates further imply that time and space are distorted and are never what we think they are. He does not want to prescribe how the prints should be viewed. His best hope is that the viewer