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SYRACUSE, 1981<br />Bruce Gilden shaw As I walk in the

SYRACUSE, 1981
Bruce Gilden shaw As I walk in the

Name: SYRACUSE, 1981 Bruce Gilden shaw As I walk in the
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SYRACUSE, 1981
Bruce Gilden shaw As I walk in theLooking through my Syracuse work is a walk down memory lane. I was 34 in 1981 when Jeffrey Hoone the director of Light Work invited me to Syracuse for a month long artist residency. The Light Work residency enables a photographer to shoot, develop, and print film, and, since I have never been very good at either developing or printing, I focused exclusively on photographing. It was an exciting and important moment in my career as I was offered the

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Description

As I walk in the street

Tokyo was a monochrome

We experimented with various types of light

Confronting the inherent contradictions to the use of documentary photography

A theatrical property

SYRACUSE, 1981<br />Bruce Gilden shaw As I walk in theLooking through my Syracuse work is a walk down memory lane. I was 34 in 1981 when Jeffrey Hoone the director of Light Work invited me to Syracuse for a month long artist residency. The Light Work residency enables a photographer to shoot, develop, and print film, and, since I have never been very good at either developing or printing, I focused exclusively on photographing. It was an exciting and important moment in my career as I was offered the

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