Where we come from Bluesville Apeland’s collection of pieces from

Apeland’s collection of pieces from local singers who have helped to keep the traditions alive forms the basis of the repertoire here

the set is steeped in what Hutchings calls Afro-futurism

and chose the environs of Studio S2 at the Polish Radio building in Warsaw where she had conducted sessions for her debut album ‘Esja’

at Haus der Berliner Festspiele in Berlin

the reading of the standard “Autumn Leaves

Where we come from Bluesville Apeland’s collection of pieces fromTaken from live improvisation to live sampling and amp; recomposition to borderdefying beat collage a new jazz mixtape tells a many splendored tale of Trans Atlantic collaboration in constant cadence. Over the course of 3 days in London, drummer producer Makaya McCraven connected with first time collaborators (Theon Cross, Nubya Garcia, Joe Armon Jones, Soweto Kinch, Ashley Henry, Daniel Casimir and Kamaal Williams) and did 2 improvised performances