Mr. Jones DDM4086 Exodus represented a subtle but

Exodus represented a subtle but significant shift for Marley

Moog Source and ARP Odyssey

during the mid-1970s

Recorded at the most storied of all jazz venues

" as On the Corner stands as his first effort to use overdubbing and multiple tape machines

Mr. Jones DDM4086 Exodus represented a subtle butAfter his six years with the seminal John Coltrane Quartet, the mighty drummer Elvin Jones signed with Blue Note Records in 1968 and made a series of 10 fantastic albums including 1972s Mr. Jones, produced by Francis Wolff and George Butler, and featuring saxophonists Dave Liebman, Steve Grossman, and Pepper Adams, Thad Jones on flugelhorn, pianist Jan Hammer, bassist Gene Perla, and percussionists Carlos Patato Valdes, Frank Ippolito, and Albert