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Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographs
Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographs
Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographs
Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographs

Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographs

SKU: 9755248467

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Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographsAfter a decade of travelling and living in Africa and then Paris, Ian Berry conceived of The English as a project that would enable him to both document and rediscover the country in which he was born and grew up. It seemed like a good idea to do something on the English before my eyes got too jaded. Returning to London in the mid Sixties, he became the first contract photographer for the Observer. His images capture the unique character of the city

Store: psychwardcomics.com · Domain: psychwardcomics.com

Description

creating a series of photographs that provide a snapshot of life in Soviet Russia

Age: Printed in 2015 by Magnum Photos Size: 24 x 30

they liked me

which still leaves me cold and unsatisfied and yet I do like it for what it is worth

which included three of Morath’s photographs

Fine Print: Underground nightclub on Cable Street. London, England, 1964 Erich Hartmann Prints creating a series of photographsAfter a decade of travelling and living in Africa and then Paris, Ian Berry conceived of The English as a project that would enable him to both document and rediscover the country in which he was born and grew up. It seemed like a good idea to do something on the English before my eyes got too jaded. Returning to London in the mid Sixties, he became the first contract photographer for the Observer. His images capture the unique character of the city

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